Create Your Own Music
phytonic
- A music career
- Payment for your effort
- Teaching
- Being a great musician
1. Music Notes
Similar to the ABC's, music theory goes from A-G, and stops:
This musical alphabet respresents the sounds our instrument fingerings and voice produce. And Sound is what music theory structures. Together, we'll improve our sound output.
There are additional steps, or sounds between these letters:
Half and Whole Steps
The steps between the ABCDEFG letters are termed half steps. They fall between whole steps, like A to B. So, A to (step) is a half step, as well as (step) to B.
Again, A to B is a whole step, with two half steps between. Why is that important? We will learn about Sharps and Flats to answer. It helps to label these sound increments.
It's awesome that you want to know about theory!
2. Sharps and Flats
Sharp
A Sharp is like a nail that points up. It raises letters a half step. So the sound goes up, as from A (step) B. Now it's called A (sharp) B. Keep going up the musical alphabet:
Don't worry about the skipped steps, we'll get to them later. Just know the sound is going up half steps, called Sharps. The symbol for Sharp in music is '#' (the number, or pound, or hash mark, symbol):
Flat
brian mcknight
A Flat is the tire that nail punctured. Just like a flat will deflate, and bring us down too, the sound goes down a half step. B (step) A now becomes B (flat) A, as the sound goes down a half step. The musical alphabet downward:
We start on G because we need to reverse the direction of the sound (since our sharp nail gave us a flat). Flat's symbol looks like a lowercase 'b':
3. Half Step Exceptions
kelly clarkson
In the musical Alphabet, some letters have no steps, or in-between notes. Again, the steps between the letters are:
The steps between the notes are now either # Sharp or b Flat. The steps between ABCDEFG with Sharps and Flats:
BC , EF
Notice that there are no steps between B and C, and between E and F. This means when we play a B# (B sharp), we are playing the letter C. And when we play an E# (E sharp), we are playing an F.
B# = C , E# = F
CB , FE
Conversely, when we play a Cb(C flat), we are playing the letter B. And when we play an Fb(F flat), we are playing an E.
Cb = B , Fb = E
Therefore, both B to C, and E to F have no between steps:
We may remember the BC,EF exception, with the phrase:
Please leave suggestions and critiques at the Guestbook Chat. Welcome all musicians!
The next page introduces a combination of half and whole steps to make scales.